For week 11, I decided to follow up on my previous work on the scissor throw at the head level, and try a fancier version with a spin. This one really is purely for aesthetics, but is a beautiful looking takedown for film work. The initial set-up is pretty much the same, but once in position, I relax my legs as my partner removes his arms allowing me to drop. I don’t fully open up my legs though. I need to keep a bit of squeeze to allow the momentum to swing me back up a bit so that I can land on my feet as my partner throws himself down to make it look like I’m initiating the throw. The end result is pretty cool looking, as you’ll see below. Continue reading
*WARNING: This article is for informational purposes only. If you wish to put these concepts into practice you should do so under the supervision of a trained professional.
Being both a Japanese Jiu-jitsu stylist and stunt performer, I naturally want to use some of the skills from my background in a film context. With films like John Wick highlighting Jiu-jitsu locks and throws, it’s an exciting time for me. But it’s not as simple and taking what you know and just doing it in front of a camera. Below is a little taste of the fights in John Wick.
Knowing how to do breakfalls is really useful for a stunt performer. A high proportion of the movie stunts performed involve falling, whether it’s for a fight, chase, or off a building. But it’s not enough to be good at the breakfalls you do in martial arts training.
When we do throws and takedowns in Jiu-jitsu, our first and foremost goal is to prevent injury. In stunts, the goal is to make the fall look realistic. These two goals can clash, however. The big slap and controlled leg position of a very safe breakfall are the same things that make it look as though the person falling didn’t get hurt. No big surprise, right? Continue reading