A clueless husband. A ruthless wife. An ominous note. One shot decides who takes care of dinner.
This Christmas day, Chris and I would like to share a film project we worked on together. We shot this video in our home over two 8-hour shoot days. It was shot entirely on the iPhone 6S. It was Chris’s first stunt fight project, and he learned a lot in the process of creating it. Big thanks to Stu Cooke who did most of the filming (we had to film a few pick-up shots and reshoots ourselves with some creativity). I handled most of the editing and sound effects, while Chris composed the music for it. Big thanks also to Ivette Hernadez who helped out on the shoot days while we set up shots. Here is one of my favourite photos that Ivette took behind the scenes:
I’ve been training to improve my form and structure to make my punches hit harder for 22 years. I know what it takes to hit with heavy hands and have worked hard to do so. But for film you want to “fight light.” This is a skill that can be a challenge for trained martial artists. While a trained practitioner may know better how to look the part because they know how to do it for real, they have to be able to do so, and even make contact, without making impact associated with it. Here’s what I’ve learned about doing that. Continue reading
This past weekend, I spent it at Sea to Sky Stunts training with some stunt friends. One of my goals for the weekend was to spend some time applying wire work to throws to make them look more spectacular. The one we worked on specifically this time around was tomoe nage (stomach throw). You can see the results in the video below. Continue reading